21 March 2009

20081221 泛音工作坊 Overtone singing (throat singing)




泛音唱法(overtone singing)的歌唱方式是保持一個低音的音高不變,但依次凸顯其泛音列上的音,所以能在持續的基音上同時唱出另一個高音聲部。

“呼麦”是图瓦文xoomei的中文音译,又名“浩林·潮尔”,原义指“喉咙”,即为“喉音”,一种藉由喉咙紧缩而唱出“双声”的泛音咏唱技法。“双声”(biphonic)指一个人在演唱时能同时发出两个高低不同的声音。另外,呼麦又称“蒙古喉音”。呼麦作为一种歌咏方法,目前主要流传于中国内蒙古,南西伯利亚的图瓦、蒙古、阿尔泰和卡开斯(Khakass)等地区。西藏密宗格鲁派的噶陀(Gyuto)、噶美(Gyume)两寺,也有使用低沉的喉音来唱诵经咒的传承。

Overtone singing, also known as throat singing, overtone chanting, or harmonic singing, is a type of singing in which the singer manipulates the resonances (or formants) created as air travels from the lungs, past the vocal folds, and out the lips to produce a melody.
extract from Wikipedia
http://en.wikipedia.org/wiki/Overtone_singing

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